A new book that I illustrated 9 black and white interior illustrations and a color cover is out and available for sale on Amazon.com! It’s a great fantasy read for tweens and above. Unfortunately, I get no royalties off the sales, but if this book does good there are 15!! more books to illustrate and P.S. Naumann wants me to do them.
Story synopsis. In 1930, a young boy named Crispin, who is seven-and-a-half years old, disobeys his parents by entering the forest and climbing the towering great White Pine tree he can see from a window in his home. However, he soon discovers that the great tree is suffering from a galloping deadly disease. To save it, he must set out on a quest, which he has only two days left to achieve.
I’m proud, humbled and honored to be apart of this wonderful collection of superstar artists from around the world. I met the author Michael Fleishman back in 2000 at a Graphic Artists Guild convention and what bundle of energy and knowledge he was even then. This is my 2nd Fleishman book that I have been in.
Look what’s on my drawing board?
Page 145: On this page I discuss working out value at the pencil stage before color, among other things.
Chapter 13 – Drawing Is Provocative, page 212 is all mine! One of the things I discuss here is what I teach in some of my classes. Andrew Loomis discusses the importance of the five P’s and the five C’s. Look it up if you want to know or ask me or better yet buy this 368 page 500+ illustrations book and read all about it.
Recently there has been much discussion with my peers regarding copyright infringement, when is it OK to “reference” another artist work. Where do you draw the line on copying reference too closely? Should you get permission? Should you give credits? Once the work is created (copied) can you sell it, sell reproduction rights to anyone, can you even register the copyright of a slightly changed image? Well that’s a lot to discuss and I currently don’t have the time to go into detail with all of it but I wanted to make some points and share some links about it here.
I can’t say that everything that Fairey has done has been fair use. But I believe most of the political stuff is perfectly legit.
From the words of Julie Mueller Brown: “He “appropriates” work from older styles and changes it to fit his agenda, he is anti-capitalistic and makes reference to early socialism posters. Its perfectly legit!
Mike Lowery says “I say he’s legit. The whole point is that he work references old propaganda in a way that strips it of its message and content. It’s the same as Liechtenstein’s comic paintings or Warhol’s diagram paintings, no?”
Rick Lovell sees this as a great opportunity to learn about what right and wrong. I whole heartily agree! “There is clearly a great deal of debate among artists, art historians and attorneys about appropriation and it’s implications. This entry on Wikipedia http://en.wikipedia.org/wiki/Appropriation_(art) (not the most scholarly source) is the tip of the iceberg, but it shines a light on an age-old dilemma about what art is, and what is art.”
Charlene Chua of illustrophile.com was kind to feature my site today (12/02/08) on this blog dedicated to showcasing illustrators and commercial artists. I have also been asked to do an interview with them… stay tuned.
Thanks Charlene for the extra publicity!
I also have been meaning to post several new pieces I have done as demos for classes. I hope to get to it soon.
I have been busy with a new illustration for the Hinman Dental Society, a civil rights poster, and a resort map. More updates hopefully soon.